THE SHOW MUST GO ON

THE SHOW MUST GO ON

Stages In The Gordy Hosts Grand Opening Gala

By Jennifer Roosth          Photography by Priscilla Dickson and Wilson Parish

THE SETTING:  Having recently completed the new $35 million campus, Stages in The Gordy kicked off their opening weekend festivities by hosting the annual gala in their new home. More than 230 black tie attired guests eagerly made their way into The Gordy to enjoy the finished space. Still, in awe, guests sipped libations and perused the silent auction. Prior to dinner, guests gathered at the Sterling Stage for a special performance by three Broadway stars: Alysha Umphress, Joseph C. Wiggan, and Tony Yazbeck,  as the trio performed various numbers, including Don’t Rain on My Parade, All I Need is the Girl, and I Wish I Knew.

THE STYLE:  The décor, designed by Bergner & Johnson, was created to show off the focal point of the evening–the new building. Lanterns and a purple runway style carpet lined the walkway to the front lobby doors to greet the guests. White floral arrangements topped the tables throughout the space. The dinner, prepared by Jackson & Company, began with an amuse-bouche, which was a trio of deviled quail eggs followed by a seafood crepe with Mornay sauce. The main course was prime-aged Angus beef tenderloin with an old vine Zinfandel sauce served with potatoes fine herb gratinée, French baby carrots, asparagus, and yeast rolls. For dessert, guests enjoyed a spectacular twist on Baked Alaska, complete with a flaming presentation.

Following dinner, attendees could either dance the night away to the sounds of DJ Gracie Chavez on the Lester and Sue Smith Stage, which had been transformed into a disco. Or, they could enjoy the featured performances by Stages’ fan favorites Mark Ivy, Ben Miller, and Holland Vavra on the Rochelle and Max Levit Stage, which served as a piano bar.

THE PURPOSE:  This year’s event raised a record-breaking amount of more than $750,000 for Stages. Isla and T.R. Reckling, III, served as event chairs, along with the namesakes of the building, Glenda and Russell Gordy, who served as the underwriting chairs. Both couples were instrumental in making Stages’ vision for The Gordy come to life. The silent auction was led by the auction chairs, Trish and Rock Morille.

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SECRET GARDEN

SECRET GARDEN

Stages Repertory Theatre Hosts The Night Garden Gala

By Jennifer Roosth     Photography by Priscilla Dickson and Daniel Ortiz

THE SETTING: Attended by a record breaking 464 guests, the 2019 Stages Repertory Theatre hosted its most successful gala to date. The Revaire’s ballroom décor, designed by Bergner and Johnson, was inspired by the theme, The Night Garden, with a hint of the theatre’s upcoming show, Little Shop of Horrors. Garden vines, blooming branches, trailing greenery and carnivorous plants filled the space, along with touches of rich red and hot pink, adding a sensuous layer to the evening. Following dinner with cuisine by A Fare Extraordinaire, attendees crowded the dance floor and danced the night away to the sounds of Georgia Bridgwater Orchestra.

THE STYLE: It was a night charmed with a big surprise. Glenda and Russell Gordy’s longtime friends, Sue Smith and the late Lester Smith, had informed them that they would not be able to attend this year’s gala. However, unbeknownst to the Gordys, the Smiths had reserved a table and planned to make a special announcement at the event. Following dinner, a messenger presented the Gordys with a giant red gift box containing a check revealing a $2.5M gift, enabling Stages Repertory Theatre to fully fund their new campus, The Gordy, nearly a year ahead of opening. The Smiths deliberately chose to bestow their first significant performing arts donation in honor of their close friends, the Gordys.

THE PURPOSE: The gala chairs were Judy and Jim Nicklos and Brenda and Bradley Jones served as the underwriting chairs, The evening raised over $630,000 including auction proceeds. The Gordys made a leadership $5M gift to the capital campaign, Staging Our Future in 2017, making their gift one of the largest individual gifts in the history of Houston’s performing arts community. The campaign supports the construction of its new 66,850-square-foot three-theatre campus, The Gordy, which will open in January of 2020. Stages surprised both the Gordys and the Smiths by announcing that the new campus’s 223-seat arena stage will be named the “Lester and Sue Smith Stage”.

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