We recently learned that Texas Performing Arts’ Broadway in Austin 2024-2025 season includes four Austin premieres and the return of audience favorites. The 2024-2025 Season includes the unparalleled artistry of one of the greatest entertainers of all time, MJ; the Tony Award®–winning hysterical corn-bred and corn-fed musical SHUCKED; the high-flying new adaptation of the musical sensation that has delighted audiences for over 70 years, PETER PAN; the ultimate whodunit CLUE; the sensational Broadway revival of the bittersweet comedy featuring one of the greatest musical scores of all time, FUNNY GIRL; and the Tony Award®–winning Best Musical MOULIN ROUGE! THE MUSICAL, where the revolutionary film comes to life on stage.
Broadway in Austin 6- or 7-show subscription packages are now on sale. “We can’t wait to bring this new season to Austin and share it with Broadway fans and theatre lovers of all ages,” said Texas Performing Arts’ Executive and Artistic Director Bob Bursey. “The season starts this fall with Tony Award-winning MJ and ends with the new blockbuster MOULIN ROUGE! THE MUSICAL. Together with the eagerly awaited return of HAMILTON, this year’s lineup offers something for everyone, with the hottest new shows direct from New York, classics, and audience favorites.”
Texas Performing Arts’ Broadway in Austin 2024-2025 Season features nine productions from October 2024 to May 2025 at Bass Concert Hall, including:
MJ | October 8-13, 2024. He was one of the greatest entertainers of all time. Now Michael Jackson’s unique and unparalleled artistry comes to Houston as MJ, the multi–Tony Award®-winning new musical centered around the making of the 1992 Dangerous World Tour, begins a tour of its own.
SHUCKED | November 12-17, 2024. Here’s the Tony Award®–winning musical comedy The Wall Street Journal calls “flat out hilarious!” And nobody knows funny like economists in this corn-fed, corn-bred American musical is sure to satisfy your appetite for great musical theater.
PETER PAN | December 10–15, 2024. This high-flying musical has been thrilling audiences of all ages for close to 70 years and is now being brought back to life. It embraces the child in us all so go on a journey from the second star to the right and straight on ‘til morning–your entire family will be Hooked!
CLUE | January 14–19, 2025
A mansion. A murder. A mystery. What could go wrong? Murder and blackmail are on the menu when six mysterious guests assemble at Boddy Manor for a night they’ll never forget! Was it Mrs. Peacock in the study with the knife? Or was it Colonel Mustard in the library with the wrench? Based on the fan-favorite 1985 Paramount Pictures movie and inspired by the classic Hasbro board game, it is the ultimate whodunit that will leave you dying of laughter and keep you guessing until the final twist.
FUNNY GIRL | March 4-9, 2025. Featuring one of the most iconic scores of all time the sensational Broadway revival dazzles with celebrated classic songs, including “Don’t Rain On My Parade,” “I’m the Greatest Star,” and “People.” This bittersweet comedy is the story of the indomitable Fanny Brice, a girl from the Lower East Side who dreamed of a life on the stage. Everyone told her she’d never be a star, but then something funny happened—she became one of the most beloved performers in history, shining brighter than the brightest lights of Broadway.
MOULIN ROUGE! THE MUSICAL | May 13-25, 2025. Pop the champagne and enter a world of splendor and romance, of eye-popping excess, glitz, grandeur, and glory! A world where Bohemians and aristocrats rub elbows and revel in electrifying enchantment. Welcome to MOULIN ROUGE! THE MUSICAL Baz Luhrmann’s revolutionary film comes to life onstage, remixed in a new musical mash-up extravaganza. It is more than a musical — it is a state of mind.
HAMILTON | March 25-April 6, 2025. A revolutionary story of passion, unstoppable ambition, and the dawn of a new nation. It is the epic saga that follows the rise of the Founding Father Alexander Hamilton as he fights for honor, love, and a legacy that would shape the course of a nation. Based on Ron Chernow’s acclaimed biography and set to a score that blends hip-hop, jazz, R&B, and Broadway, HAMILTON has had a profound impact on culture, politics, and education.
COME FROM AWAY | January 4-5, 2025. On 9/11, the world stopped. On 9/12, their stories moved us all. This stirring and inspiring musical takes you into the heart of the remarkable true story of the small town in Newfoundland that opened their homes to 7,000 stranded travelers on 9/11. During that fateful week, cultures clashed, and nerves ran high—but uneasiness turned into trust, music soared into the night and gratitude grew into enduring friendships. Celebrate the best of humankind and the best in all of us.
LES MISÉRABLES | February 4–9, 2025. This brilliant staging has taken the world by storm and has been hailed as “a reborn dream of a production” (Daily Telegraph). Set against the backdrop of 19th-century France, LES MISÉRABLES tells an enthralling story of broken dreams and unrequited love, passion, sacrifice, and redemption – a timeless testament to the survival of the human spirit. The magnificent score of LES MISÉRABLES includes the songs “I Dreamed a Dream,” “On My Own,” “Bring Him Home,” “One Day More” and many more.
Femme Fatale. Champagne Chanteuse. Star of stage and screen. Eartha Kitt is the original Material Girl who knows more about the ins and outs of men at 79 years young than most women could ever hope to know. She was discovered while performing in Paris, at the age of 20 by the legendary Orson Welles who called her “the most exciting woman in the world.”
We agree and in fact, we think she’s purrrrrr…fect – just like in her persona as Catwoman on the television series Batman and her film roles in Boomerang, Fatal Instinct, Unzipped, and The Emperor’s New Groove. With her cabaret performance stronger than ever, she’s bringing that sexy act to Texas…to the Austin Cabaret Theater for one night only. Here, in an exclusive interview, she discusses, men, performing and well, more about men.
Everyone calls you a living legend. How does that feel at this point of your career?
It’s kind of a scary thought, you know, but you have to live with it. I’m someone’s whose been around for awhile.
You’re still the toast of the cabaret set from coast to coast. You just finished up a gig at the Carlyle in New York. How was it?
I think it’s what people are looking now…they don’t like the kind of music that is hateful or anti-women that’s out there now. They want to feel good again about society and themselves.
When you’re on stage performing, what do you love most about that – is it that instant connection with your audience?
Oh, very much so. The more they give me, the better I feel about what I am doing. It’s how I interpret a song – whether it’s dramatic or comedy. It’s the most wonderful feeling in the world. Thank God I’m able to hold onto these notes – I sing in the same key as I did 30 years ago.
Eartha Kitt and Orson Welles, 1950s
And you’re in your sixth professional decade of making men nervous. You seem to get along well with men…
Darling, I loooove men. A good man is hard to find. Plus, I think I have a lot of fun with the men in my audience – men know I love to tease. And women understand that –and they get to benefit from it later on in the evening when they are alone with their man. You could say I’ve had some experience with men.
Right, you’ve had some pretty famous boyfriends. What do you find most attractive about men?
That’s easy. It’s the respect they have for women. Orson (Welles) called me the most exciting woman in the world and every woman wants to feel that way about herself, too. It’s important that a man has a good sense of humor. Women should have it, too. Also, a man must have intelligence, but he doesn’t have to be the smartest man in the room. Like most women, I like to keep them guessing…
And women have changed over the years, too?
Women’s Lib took a lot of fun out of teasing. A man doesn’t know what to do anymore – should he hold doors, light a cigarette, and stand up when a lady enters a room? They don’t even send flowers anymore. I think good manners need to come back in style. A woman wants to be cared for.
Agree. Speaking of style, your Santa Baby hit made you an even bigger star and branded you as a sex kitten in a very innocent era in the 1950s. Was that meant to be?
Not really. It wasn’t calculated at all. I was an innocent young girl when I first made that song. Remember, I’m a cotton picker from South Carolina and I’ve never lost that innocence. Of course, I played to that in my career – a woman should always be innocent, darling.
I hear you’re working on your biography. Will you be setting the record straight?
Rejuvenate is my book out now. It’s about what a woman has to do for herself. My biography will be my next book. It’s about me, men, and money… about the fun times and not-so-fun times.
Here’s to Life is a song you like to close your act with. If you hadn’t become a performer, what occupation would you have chosen?
I would have been a teacher. I’ve learned – and teach – that life is a wonderful path to travel on if you don’t get too panicky on your down moments. The question one should ask is ‘how am I going to best use these moments?’
It’s beginning to look a lot like Christmas and as we gear up for everyone’s favorite time of the year, the bestselling Booze & Vinyl series (200,000 copies in print) finds its holiday cheer in an irresistible new volume that you must have for yourself…and to give as host gifts. It mixes beloved Christmas albums with very, very merry drink pairings – how great is that? A Booze & Vinyl Christmas from Running Press is by award-winning food and drinks writer André Darlington.
It features forty curated Christmas albums, from the 1940s to the present, complete with two inspired cocktails for the A side and B side. From The Nutcracker and A Charlie Brown Christmas to Bing Crosby and Kelly Clarkson, this tome is the perfect companion for all your festive holiday gatherings.
Whether you’re spending a quiet evening by the stocking-lined fireplace at home, or preparing to binge Hallmark Channel’s Christmas movies, you can make the season festive with this guide to forty favorite holiday albums from the 1940s to the present. Divided into four thematic chapters—Rock the Halls, Warm & Fuzzy, Jazzy & Classical, and Gift-Wrapping Station, each entry features liner notes on the album and accompanying boozy beverage recipes that complement the music or connect the drink to the artist.
Tasty holiday recipes sprinkled throughout make this the ultimate holiday cocktail party guide. The author even shares his trademark tips and tools for setting up the bar with twelve bottles, pantry staples to have on hand, and sensational, homemade syrups that sparkle with the flavors of winter.
You’ll love that this book combines the passion for holiday music, the love of Christmastime, and the fun of cocktails and entertaining. It’s an intoxicating combination of much-loved subjects. So, why not host your next ultimate holiday party with music, cocktails, and nibbles, a top ten list of Christmas tunes with cocktail pairings with A Booze & Vinyl Christmas as your guide? $26. At Running Press.
Texas Ties Support New Era Of International Philanthropy
By Sharon King Hoge Photography courtesy of American Friends of Versailles
Alicia Bryan has been named President of The American Friends of Versailles. A native of San Antonio, she is already planning events to promote Franco-American relations and raise funds to help restore and preserve the historic Château. For the first three days of June 2024, patrons will gather at Versailles for a picnic on the palace grounds and a grand Gala des Fleurs d’Oranger in the Chateau’s giant Indoor “greenhouse” L’Orangerie.
AFV President Alicia Bryan and AFV International Council Member Sharon King Hoge, NYC and Palm Beach
AFV dinner at Chicago's Casino Club Sharon King Hoge, James Hanson, AFV Executive Director Kristin Smith, Patricia Dickerson, Allison Lisk
AFV Founder and Chairman Emeritus Catharine Hamilton and AFV Secretary Thomas Middlebrook
Alicia Bryan, San Antoino, is named President of the American Friends of Versailles
Chicago Art Institute Curator Gloria Groom leads a private tour of Impressionist works
Olivier, Le Vicomte de Rohan, President Honoraire of the Society of Friends of Versailles with French Board Member Michele Fieschi-Fouan
Historic renovation is not new to Bryan, who with her father, J.D. Bryan, restored the Gage Hotel in Marathon, TX, which was voted #1 Hotel in Texas by Condé Nast Traveler. The Bryans are currently involved in the building and design of an additional 50 rooms at the hotel and were instrumental in designing its famous White Buffalo Bar, also known as the “Best Hotel Bar” in the state. Another instance of the Bryan family’s legacy in the state is The Bryan Museum in Galveston.
Alicia Bryan was elected President at the AFV’s annual meeting held this year in October in Chicago. Greeted by AFV Founder and Chairman Emeritus Catharine Hamilton at a reception in the French paneled rooms of her high-rise residence, AFV guests then proceeded to the elegant private Casino Club nearby for a candlelight dinner.
After an early morning private tour of the renowned Impressionist collection at the Art Institute of Chicago, guided by celebrated Curator Gloria Groom, the group progressed to the meeting at the Chicago Racquet Club where Bryan was introduced to international members present and by video livestream.
A luncheon in the Club’s Lounge room concluded the proceedings with members looking forward to joining friends from around the globe at the events next summer in Paris. For more information on the American Friends of Versailles and how you can support it, visit AmericanFriendsOfVersailles.org.
Once upon a time, in the vibrant heart of Dallas, there existed a haven of community spirit and urban charm known as The Village Dallas. Nestled amidst a tapestry of greenery and modern architecture, this remarkable community is a testament to the idea that life should be a seamless blend of work, play, and living in harmony with the rhythm of a tight-knit neighborhood. Originally developed in 1968, The Village, historically, was the place to live from then and into the late 1970s-1990’s when the term “singles only” was commonplace. Fast forward to now…it’s the place to be again.
The talented marketing team with The Village invited us to experience what everyone is talking about. As the sun dipped below the Dallas skyline, casting a warm, orangey glow over the streets, we found ourselves drawn into The Village Dallas, curious to explore the whispers of community bliss that echoed through its winding and welcoming streets. We stayed at The Drey Hotel, a swankienda place to hang your hat – its cool, crisp, and modern design is a hallmark. While staying in a two-story loft that the hotel offers, it was a surprisingly quiet respite considering it’s in the middle of all the action. Quite grand, the loft always has a well-appointed coziness to it. If you’re traveling with pets, they can stay at Barkin’ Creek (an offshoot of the Austin origination), which offers a dog kitchen of gourmet food and a “Spaw” for pooch treatments. Ah, the good life for the lucky canines, too.
As we continued to meander, the air was filled with the tantalizing aroma of diverse cuisines, laughter from lively cafes, and the promise of endless possibilities. Cozy cafes double as informal meeting spots, and creative minds collaborate in outdoor workspaces surrounded by the gentle hum of nature.
Hungry? Look no further. There’s literally something for everyone at The Village. For fine dining, Meridien is the destination. We had the Chef’s Tasting Menu of about eight courses, each one more tantalizing than the last, before venturing to La Mina (The Mine) which is a cavernous space of Latin laid-back luxe. From the free-flowing margaritas to the Salsa dancing, it’s the perfect way to finish the evening.
Anise, beyond the hotel’s main lobby, is perfect for fine food and a view of the main terrace. The cozy communal fireplace is perfect for meeting new friends. If you’re craving a bake shop, Doughregarde’s is the spot to pick up a fresh croissant, or four. Buzz and Bustle is where you can grab a cup of fresh coffee and also serves as a bodega for to-go meal options. When you are lounging poolside, the Dive In provides perfect light fare while you’re sunning. Over Under is a sports bar where the party never stops. From tasty, elevated bar fare to accompany trivia or pong night, you’ll be able to fuel for fun.
Speaking of sports, V Fit is the health club destination you’ll want to try first when it’s time for a workout. With The Village’s many pickleball courts and sand volleyball courts, the Sandy Pickle is the nearby clubhouse that offers not only refreshments, but also golf simulators, and spots to gather to keep the party going strong.
While in this health-oriented environment, you’ll see that the heart of the community is at The Village’s Central Square, a bustling hub where locals gather to celebrate the simple joys of life, is a vibrant farmer’s market that offers a kaleidoscope of colors and flavors to tempt your healthy taste buds. From organic fruits to handmade crafts, the market reflects the community’s commitment to sustainability and supporting local artisans.
As we strolled through the pedestrian-friendly streets, I couldn’t help but notice the innovative workspaces that seamlessly blended with the residential areas. The Village Dallas, it seemed, had found the perfect recipe for balancing work and play. There are plenty of experiential retail options for visitors and residents alike in the Shopping District. Created Collective is where artisans, designers, craftsmen, and makers gather to create. For a more customized event, Change of Events is a venue provides an intimate environment to include specialty cocktails/mocktails, hors d’oeuvres and petite desserts.
To stay looking and feeling great, HD Skin offers personalized skincare treatments that cater to their individual needs. Blooming Bouquets is the one-stop shop for any floral needs, while Erin H. Hair is a salon that is committed to helping you look and feel your best. The Blythe Salon is also perfect for any salon beauty wishes to be fulfilled. Squared Away, aimed toward gents, is the destination for a fresh haircut and shave.
Continuing your walk, you’ll see that Shop Makenzie James is a space for women to feel confident shopping for well-made, timeless clothing and home accessories. From teaching workshops to expertly crafting handmade pieces, Englishwoman Rachel Larlee’s art studio is a must-experience in The Village. Mended Co. most beautiful hand block printed textiles specifically designed for you. To perk up any room, surely a Southern Candle from its eponymous store, is ideal, too.
In our quest for adventure, I discovered the hidden gems within The Village. The community’s lush parks and recreational spaces beckoned, offering a sanctuary for those seeking solace or a lively spot for families to gather. With playgrounds, jogging trails, and serene lakes, every corner of The Village Dallas seemed to echo with the laughter of children and the cheerful chatter of friends. The Village is not merely a place to reside; it is a stage for celebrating life.
One of the most attractive aspects of The Village Dallas was its commitment to fostering a sense of belonging…there’s something for anyone, no matter what their tastes. Neighborhood events and festivals at The Village are woven into the fabric of daily life, from outdoor movie nights to cultural celebrations that showcase the rich diversity of the community. It’s a place where strangers become friends, and every resident feels like a valued part of the grand tapestry of The Village.
As our journey through The Village Dallas came to an end, we marveled at the seamless integration of living, working, and playing in a community that felt like a warm embrace. The Village Dallas was not just a place on the map; it was a living, breathing testament to the power of community, where every corner echoed with the laughter of shared moments and the promise of a vibrant, fulfilling life.
The most inspiring adventures often begin in the most unexpected ways. On a warm weekday afternoon recently, I was out on a writing assignment when I found myself hesitantly approaching the unmarked door of a mysterious building whose structure had seen better days, doubting whether the address I had pasted into my GPS from a text thread was actually where I had been delivered.
I held up my right hand and made a fist. “Here goes nothing,” I thought. Knock-knock-knock (staccato). The door opened to reveal Tracy Williams with her beaming smile, appearing part glowing and ethereal, part gritty and grounded in her relaxed painting clothes. The visual tension of her appearance struck me as unique and effortlessly intentional, which I’d soon come to find out is a theme at the core of her work. Welcoming me with open arms into her studio, I stepped through the door energetically aware that I had just entered a portal into her mystical world—her sacred space of isolated creation.
Arrested by an endless exhibition of visual stimulation, I struggled to focus my attention on what to admire first. Feelings of respect and reverence swelled as I felt the honor of observing Tracy’s process and gift in her environment. Vignettes of curated color palettes and layered comfort objects adorn the studio interior. One wall is lined with mood boards, and another lined with paints. Stacks of free-standing paintings, works both finished and in progress, are precariously propped against perimeter walls and pieces of furniture. Featured at her painting station is her cherished collection of her great-aunt’s oil paintbrushes.
Tracy Williams at work in her studio
Tracy’s path to becoming a professional artist wasn’t traditional. The distinct visual style of her work wasn’t molded by professors in art school. It was the childhood influence of her great-aunt, a prolific oil painter, that inspired her love of art, coupled with a menagerie of inspirations from fashion and interior design. Starting her career in design and fashion, Tracy found herself first putting paint to canvas while living in California. It was then when she had her epiphany that visual art was what she would pursue for the rest of her life.
“As a self-taught painter, I just work from my heart, and I am guided by my faith,” says Tracy Williams. “My process is very emotional, and I have had to prove myself with passion. When viewers interact with my work, my hope is that they walk away feeling good and inspired to live their best life without sweating the small stuff, and to appreciate beauty in the simple things.”
Tracy’s body of paintings demonstrates continuity and meditation in movement through the energy and gestural exploration of her brush stroke, line, and color mixtures. Her work has been exhibited locally in San Antonio and has been collected by admirers across the U.S.She is currently preparing to create this season’s commissioned works.